|Donald Glover and Danny Pudi in Community.|
NBC’s Community, you may be growing tired of hearing, is one of the most original sitcoms on network television right now. And there is no small amount of irony in the fact that the reason you are hearing it said so much these days is because it appears Community won’t be on TV for much longer. Last Monday, when NBC announced its mid-season schedule, Community (which currently airs at 8pm on Thursdays) was nowhere to be found. After only ten episodes into its 22-episode order, the ratings-challenged Community will disappear from NBC, and no promise has been made yet as to when the rest of its current season will air. This, as you may imagine, is not good news.
Now in the middle of its third season, from a fan’s perspective, Community has been doing everything right. It regularly takes chances, but remains one of television’s most consistently funny sitcoms – and there is hardly a single recent episode that hasn’t been brilliant in my book. But when a critically acclaimed but low-rated show enters its third season (consider Arrested Development and Veronica Mars – both of which spent their third, and final, seasons in perennial struggle with their lagging ratings), there is really one key question on the minds of executives: the worry that the show sets too high a barrier for new viewers. Season-long or even multi-season story arcs, humour or drama that depends on familiarity with the characters, their stories, and their world: all these virtues of quality television become deficits when trying to figure out how to find a new audience for a not-quite-new series. The tinkering that results is rarely good – see the aforementioned third season of Veronica Mars, and the audacious mid-series reboot of J.J. Abrams’ Alias. Smart, playful and always hilarious, Community no doubt runs the risk of alienating the uninitiated (i.e. precisely all those who aren’t watching). And as the fate of Arrested Development demonstrated, this is also a recipe for the death of a network show.