How To Live and Die at the Canadian Opera Company: Roméo et Juliette and Orfeo ed Euridice in Toronto

Stephen Costello and Kseniia Proshina in Roméo et Juliette. (Photo: Michael Cooper.)

The Canadian Opera Company’s 2025–26 season opens with a stylistically mismatched pairing: Roméo et Juliette, Charles Gounod’s 1867 Shakespeare-inspired opera in director Amy Lane’s over-extravagant Malmö Opera rental, and the revival of Canadian director Robert Carsen’s minimalist 2011 staging of Orfeo ed Euridice, Christoph Willibald Gluck’s 1762 rendering of the Greek myth. The two productions run in rotation at Toronto’s Four Seasons Centre through to the end of this month.

A Baroque Drama of Biblical Proportions: Opera Atelier’s David and Jonathan

The artists of Atelier Ballet in Opera Atelier's production of Charpentier's David and Jonathan. (Photo: Bruce Zinger.)

Opera Atelier’s 40th anniversary staging of Charpentier’s David and Jonathan at Koerner Hall is not just a local milestone but an international event, rooted in the Canadian company’s acclaimed presentation at Versailles’ Opéra Royal—a version that returns to Versailles this May, underscoring its global prestige and resonance.

A Regal Triumph: La Reine-Garçon Shines at the Four Seasons Centre

Kirsten McKinnon as Christine (played by Kirsten Leblanc at the performance our critic saw) in La Reine-Garçon. (Photo: Michael Cooper.)

At a time when Canada’s cultural sovereignty faces external pressures, the Canadian Opera Company, in collaboration with Opéra de Montréal, has delivered a resounding artistic statement with La Reine-Garçon. This polished production, currently at Toronto’s Four Seasons Centre until Feb. 15, exemplifies the heights of Canadian operatic achievement.